Home > Film, Listening, Lyrics, Music, Personal > A Female God* and Falling Angels

A Female God* and Falling Angels

Having meandered from the true path of music, in all its forms, in the last post I’m about to return with a vengeance to the reason this blog was created but…

Before I do I’d like to discuss one more song which smacks me straight in the face every time I hear it.

Now, before I go any further I must emphasise that, despite being a ‘modern man’, I am not really that into ‘chick flicks’ as they are called, but every now and then something comes along which really has an impact. Most recently it was ‘The Time Traveller’s Wife‘ and others would be ‘Meet Joe Black‘ or even ‘The Champ’ (but that’s going back a way… But of these, none comes close to the sheer splendour of a film about an Angel choosing to fall from grace in order to feel love.

City of Angels‘ has something special about it, a quality I can’t describe or quantify, and it doesn’t diminish no matter how often I revisit the film.

Perhaps because of this, or perhaps because it is such a powerful song in its own right, I have developed a great feeling for the song performed by Alanis Morrissette for the soundtrack.

Uninvited‘ is a haunting track using the passion created by strings to great effect over a simple keyboard and percussion setting. Perhaps better known now as the dance version released by Bailey Tzuke (I can appreciate both versions), the original is something quite special. Even before I took the time to listen to the awkwardly phrased lyrics (part of its charm?) I felt the pain and anguish it portrayed. Having taken the time to listen to the lyrics I can’t believe how accurately they reflect the emotion of the film’s primary characters

Like any uncharted territory I must seem greatly intriguing
You speak of my love like you have experienced love like mine before
But this is not allowed
You’re uninvited

I’ve often tried to express emotions like these in song and, as far as I’m aware, I’ve never succeeded. Songwriting comes in many forms, as my (soon to be teenage) youngest daughter, herself an avid singer/songwriter already, explained to me recently; there are moment songs, feeling songs and story songs. I think I have cracked the latter, and I’m sure I’ve dabbled in the first (I’ll need to check with her first I think!), but the middle one always seems to elude me, because of this I think I respect those who can achieve it so eloquently all the more. And Alanis Morrissette has done it here with such eloquence I’m speechless… well, not quite ;o)

* I do not consider Alanis Morrissette a deity before anyone starts a pogrom, I’m merely nodding to her cameo role in Dogma, a film I’m usually far more willing to admit to liking!

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